Rane TTM 57SL Betreibershandbuch PDF herunterladen (Seite 42)

Mixing with only one turntable



two turntables, using just one. If one of your turntables is not

performing properly, or if you only have one available, you will be











LIVE and play it in

absolute mode. e crossfader is set to the right hand side.

internal mode and load a track.

reverse input control

switch. e physical record

now controls the left hand deck in Scratch LIVE, and the right

hand channel of Scratch LIVE plays on in internal mode.





this – the crossfader will be moving away from the turntable.

reverse input con-

trol

inter-

nal

mode, and the physical record is now back to controlling

the right hand deck in Scratch LIVE.

LIVE

normal.

7. Flick the reverse input control switch.



fader the wrong way.

reverse input control switch, and repeat.

Mixing with only one turntable, using instant

doubles instead of input reverse



get transferred to the second deck as well as the playhead posi-



your song on the left deck with the turntable, then instant double

over to the right deck, then fade to the right deck. Voila, the left



TTM 57SL Specifications

Parameter, Specification, Conditions & Comments

Analog Inputs: 4 Stereo, Unbalanced RCA jacks:

..........Phono or line level input

..........Phono Response: RIAA ±1 dB, Gain: 30 dB at 1 kHz

..........Max input 133 mV

..........Input Impedance: 47.5k Ω, 200 pF

..........Line Gain: +15 dB to o @ 1 kHz

..........Auxiliary Input: Stereo Unbalanced RCA jacks

..........Gain: O to +6 dB

FlexFX Return: Stereo Unbalanced ¼" TS (tip-sleeve) phone jack

FlexFX Send: Stereo Unbalanced ¼" TS phone jack

Mic Input: Active Balanced: ¼" TRS (tip-ring-sleeve) phone jack

..........Input Impedance: 511Ω, each leg to ground

..........Gain: 50 dB 1 kHz

..........Frequency Response: 30 to 20 kHz +0, -3 dB, max gain

..........CMMR: >40 dB 1 kHz, max gain

..........S/N: 76 dB Re 0 dBFS, max gain, 20 kHz BW

..........Tone Controls: 2-Band

Main/Booth Outputs: Stereo balanced XLR/TRS jacks

..........Frequency Response 15 Hz to 20 kHz +0, -3 dB

..........THD+N <0.005% re 0 dBFS, 20 to 20 kHz, 20 kHz BW

..........S/N (balanced output) 102 dB re 0 dBFS, A-weighted

Auxiliary Output: Stereo Unbalanced RCA jacks

General Specications:

..........Maximum Input (all inputs): 4Vrms

..........Maximum balanced output (main and booth): 8Vrms

..........Maximum unbalanced output (FlexFx and AUX): 4Vrms

..........Mixer digital audio: 24-bit, 44.1 kHz, 102 dB dynamic range

..........USB digital audio: 16-bit, 44.1 kHz, 102 dB dynamic range

..........Crosstalk: -75 dB re 0 dBFS, 1 kHz

Universal Power Supply: 100 to 240 VAC, 50 Hz to 60 Hz

USB Power: Mixer is self-powered.

Note: All speciﬁcations are typical unless otherwise stated.

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