
Manual-1
C4
QUAD COMPRESSOR / LIMITER
Quick Start
Rejected Rane advertising slogan #1743: “C4. It’ll blow your mind!”
We’re not entirely sure why the marketing department didn’t like the idea, but be assured: unlike its explosive material namesake,
the C4 Quad Compressor will not blow up. Heck, it won’t even spark or sizzle under normal circumstances. e only thing smokin’
will be your mix, thanks to the C4’s smooth compression, precise dynamic EQ and ultra-fast limiting.
Each of the C4’s four channels oers a full-featured compressor with selectable Compressor and Dynamic EQ modes. In ad-
dition, an oversampled, brick wall LIMITER is included for catching signal peaks. COMP, THRESHOLD, RATIO, ATTACK,
RELEASE and KNEE give full control over the audio envelope. e compressor is toggled on and o using the ACTIV E/BYPASS
switch; the Limiter is engaged at all times and is not aected by this switch. Limiter operation is completely independent of the com-
pressor with its own LIMIT THRESHOLD control and Headroom meter. Channels 1 & 2, and 3 & 4 can be LINKed to maintain
a proper left/right stereo image, with channels 1 and 3 acting as the MASTERs, respectively.
For the ultimate in dynamics processing exibility, the C4 includes both internal and external side-chain functions, with a full
PEQ (parametric EQ) section included for good measure. External side-chain mode is automatically selected whenever a connector is
plugged into the rear panel SIDE-CHAIN jack. Selecting LISTEN mode routes the side-chain audio to the channel output, allow-
ing you to hear the eect of PEQ adjustments when doing frequency-sensitive compression or de-essing. If you'd prefer to not use the
side-chain PEQ, simply set the PEQ GAIN to 0 dB.
Setting up the C4 is a breeze thanks to the fast, accurate side-chain and Gain Reduction combination meter. For users unfamiliar
with de-essing, the pointer on each control indicates a recommended setting for this specialized application. e Auto attack and
release mode speeds up sound check, and the Tips and Tricks on page Manual-8 serve as a handy reference guide for getting started
with compression. ank you for taking the time to read this Quick Start. We now return you to your regularly scheduled sound
check or recording session.
OPERATORS MANUAL
0
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Headroom
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MASTER SLAVE
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msms
dBu
dBu
dBHzoct
Headroom
dB
8-3 -1 12 42-6-12 1
n:1
10
2
1.5 5
1
500
100
50 250
25
10
2
15
0.5 20k
640
125
3.15k
20
500
125 1 s
2 s50
25
+12-12
+12-12
0
0
6
3
12
24
dB
-20
-10
0
-40
-30
+20
+10
-20
-10
0
-40
-30
+22
+10
msms
dBu
dBu
dBHzoct
Headroom
dB
8-3 -1 12 42-6-12 1
n:1
MASTER SLAVE
10
2
1.5 5
1
500
100
50 250
25
10
2
15
0.5 20k
640
125
3.15k
20
500
125 1 s
2 s50
25
+12-12
+12-12
0
0
6
3
12
24
dB
-20
-10
0
-40
-30
+20
+10
-20
-10
0
-40
-30
+22
+10
msms
dBu
dBu
dBHzoct
Headroom
dB
8-3 -1 12 42-6-12 1
n:1
10
2
1.5 5
1
500
100
50 250
25
10
2
15
0.5 20k
640
125
3.15k
20
500
125 1 s
2 s50
25
+12-12
+12-12
18 18 18 18
C4
SIDE-CHAIN
RELEASE ATTACK KNEE
GAIN
FREQUENCY BANDWIDTH
LIMIT THRESHOLD
RATIO GAIN
COMP THRESHOLD
1 2
LINK
Auto
Auto
Soft Hard
dBr Reduction dB
Listen Comp
LIMIT
BYPASS
ACTIVE
PEQ
SIDE-CHAIN
RELEASE ATTACK KNEE
GAIN
FREQUENCY BANDWIDTH
LIMIT THRESHOLD
RATIO GAIN
COMP THRESHOLD
Auto
Auto
Soft Hard
dBr Reduction dB
Listen
Dynamic
EQ
Comp
LIMIT
BYPASS
ACTIVE
SIDE-CHAIN
RELEASE ATTACK KNEE
GAIN
FREQUENCY BANDWIDTH
LIMIT THRESHOLD
RATIO GAIN
COMP THRESHOLD
3 4
LINK
Auto
Auto
Soft Hard
dBr Reduction dB
Listen
Dynamic
EQ
Comp
LIMIT
BYPASS
ACTIVE
SIDE-CHAIN
RELEASE ATTACK KNEE
GAIN FREQUENCY BANDWIDTH
LIMIT THRESHOLD
RATIO GAIN
COMP THRESHOLD
Auto
Auto
Soft Hard
dBr Reduction dB
Listen
Dynamic
EQ
Comp
LIMIT
BYPASS
ACTIVE
PEQ PEQ PEQ
POWER
TH TH TH TH
QUAD
COMPRESSOR
WEAR PARTS: This product contains no wear parts.
Contents
Quick Start ....................................................................1
Dynamics 101 Revisited ............................................2
Compression .....................................................................2
Dynamic EQ ......................................................................3
De-essing ......................................................................3
Dynamic EQ Applications .........................................4
Peak Limiting ..................................................................... 5
Making Connections .................................................. 6
Front Panel Controls .................................................6
Side-chain and Gain Reduction Meters ..................... 6
MASTER / SLAVE Stereo Link .....................................7
ACTIVE / BYPASS ..........................................................7
COMPressor THRESHOLD, RATIO and GAIN ......8
ATTACK, RELEASE and KNEE ....................................8
SIDE-CHAIN Mode and Listen ....................................9
SIDE-CHAIN Parametric EQ ........................................9
Limit Threshold and Headroom Meter ......................10
Tips and Tricks ...........................................................10
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